CHARLES HARBUTT | The Unconcerned Photographer

Issue 12

I chose to show this film at the start of my talk tonight because in many ways it is relevant to my topic of change. First of all, the entire Magnum Crisis in the America project, from which the film was made, was very much a punctuation mark in my career—whether an exclamation point, question mark, comma or period—I’m not sure yet. But I do know a fundamental change has occurred in my relationship to my medium.
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