During this time, I went on a road trip with my grandfather, who loaned me his point and shoot camera. Upon my return, I came upon one photograph of a worn fence post that stood out. Despite its many flaws, this image taught me that a photograph could encapsulate a feeling and a memory. In this, I found a way to remember—breadcrumbs scattered along the way—in case I was to ever become lost, like Mamaw.
Years later, my relationship with photography grew increasingly nuanced and complex. I have a family of my own now and they accept the camera as a part of me. It is a way I express my love to them, my desire to be present and part of their lives and to remember the passing moments we share. With time comes perspective and in the years to come, I hope that these photographs will become something of an anchor in my daughter’s life. In them I trust, she will always be reminded of where she comes from and how much she is loved.
Recently, I have thought a great deal about “innocent photographs,” meaning those that are not refined by years of visual experience but are more pure and reactive; those images that are not weighed down by the burden of photographic knowledge. Not long ago, I stumbled across a tin of slides from the 1950s, made by my other grandmother, Ruby Eich. In those photographs, I found an intangible beauty that I became distinctly aware was lacking in my own pictures. As a result, I wondered: what quality do her images possess that escapes me? I still do not have an answer for this nagging question.
Though I work as a photographer, a large part of my mental focus is on the piece of my family’s visual history that I am working to create and curate throughout my life. It is all part of a larger canvas that grounds us and allows us to know who we are, where we came from and that we are loved.
The images included with this entry span from 1958, shortly before my father was born, to 2011, where my own daughter is approaching her fourth birthday.
JournalA series of colaborations with Luceo Images, 2011
About LUCEO Images
WE ARE SIX PHOTOGRAPHERS (2011) — David Walter Banks, Kendrick Brinson, Matt Eich, Kevin German, Daryl Peveto and Matt Slaby—unified by a search for answers in an often abstract and rapidly evolving global environment. We seek to understand the emotional resonance of each situation we chance upon, depicting the people and places we encounter with empathy, respect and curiosity.
Together we form LUCEO Images, a photographer owned and operated cooperative established with the goal of supporting the significant work of its members. LUCEO believes that photography is about dialogue, discussion and shared ideas. It is with this belief that LUCEO reaches out beyond its group to build relationships with other individuals and collectives. Our hope is to build a network of partnerships that allow us opportunities to fulfill our goals and to offer unique products and services to our clients. www.luceoimages.com